The Chinese University of Hong Kong
January 14 – February 6, 2015
For four years since early 2011, Myanmar has undertaken a transition away from authoritarian rule towards what its current constitution calls discipline-flourishing democracy. In the process, much has changed inside this country of more than 50 million people and, at the same time, much has remained largely untouched. This exhibition assembles paintings from the reform period – all were completed in the past four years. They touch on many different aspects of this changing state – rural and urban life, majority and minority life, mundane and spiritual life, real and imagined life. Together, the paintings present a series of vivid perspectives on Myanmar in a time of transition.
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